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My favorites
The first part of Antonin Baudry’s historic diptych ranks second in number of entries. It should benefit from favorable word of mouth. While “Abandonment†and “Being Loved†maintain a good dynamic.
Anna Faris and Regina Hall in the slow and booming reboot of ‘Scary Movie’, signed by Michael Tiddes. Photo Quantrell Colbert/Miramax Films
Couple Bertrand Lott
Published on June 9, 2026 at 10:51 a.m.
En mobilizing young people, Scary Movie won the first round against The Battle of Gaulle: The Iron Age and thus seizes the head of the ranking. With 334,000 laughs in 487 cinemas, this reboot of the parody franchise is off to a slightly better start than Scary Movie 4, released twenty years ago (285,000 entries).
The French blockbuster directed by Antonin Baudry must therefore be content with second place nationally (but first in Paris): it only recorded 314,000 admissions in five days in 566 theaters, less than The Song of the Wolf, the director’s previous film, at the same stage (352,000 admissions). The excellent initial feedback from the public makes it possible to envisage very favorable word of mouth, essential to improve the trend of the first part of this historic diptych produced for more than 75 million euros. There is less than a month until the launch of part two on July 3.
Extraordinary progression for “Obsessionâ€
The following new releases are not films and reflect the growing activity of theaters in events: the grouped programming of the last two episodes of the series The Amazing Digital Circus was a hit with more than 155,000 fans gathered for less than 500 sessions organized in 255 sites; the broadcast of Santa’s concert (the former singer of Hyphen Hyphen) made 30,000 groupies sing and dance in 300 cinemas. In a completely different register, The Zanetti Affair, with Roschdy Zem, gathered 14,000 curious people on 126 screens at the end of its first weekend.
As for continuations, Obsession stands out greatly with an extraordinary increase in attendance of +50% during its fourth weekend! With a total of 720,000 spectators, the horrific phenomenon will far exceed one million. L’Abandon also stands out with an increase in its admissions and a total brought to 521,000 spectators in twenty-six days: we seem to be heading towards 800,000 in the end. Solid form also for L’Être aimé, with 155,000 spectators accumulated since the Cannes Film Festival and which will finish above 250,000.
These good performances, combined with launches at the top of the ranking, logically result in a strong rebound in overall attendance, which goes back above the mark of 2 million tickets sold over the weekend.
Also read:
Javier Bardem, starring in “The Loved One†Â: “I no longer waste my time suffering needlessly!â€
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