You have just taken up the position of culture assistant. What will be the major projects that will punctuate the years to come?
There are two, essential ones. The first is obviously the acquisition of the factory in Liège and the creation of the endowment fund, for which we are currently working on the legal matrix because it is he who will carry the project financially, in particular with patronage. We will also see what to put there. There is also the future of the old school of Pifano, which will be reconfigured to allow our associations to have new places to invest. We are lucky to have an associative fabric, particularly in the cultural field, which is very active and very dense, but at the same time we have a subject of space for work premises, rehearsals, storage of equipment…
New spaces on the port: “Thousands of square meters of new public spaces”
This has been a recurring request from associations for several years now, like that of places of representation…
Indeed, and it’s a huge project. We have performance spaces like the red room, cultural spaces, the Bastion de France, public spaces, …
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