Home Showbiz Imported Article – 2026-02-28 00:13:03

Imported Article – 2026-02-28 00:13:03

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Xavier Couture, president of the International School of Music Composition at the Image (Eicmi) in Châteauroux, asks Sasha White, music supervisor and director of the music department at Mediawan, how long she listens to music every day? Two roles for the “Madame Music” of the French audiovisual group. On Friday, February 27, 2026, she discussed her various missions at the school in front of a group of curious onlookers, including first-year Bachelor students.

“I never thought I would end up in this very niche environment.” Five years ago, Sasha White worked at the producer, label, publisher, and music store West One Music Group. Since then, fictions, documentaries, flow programs, and reality shows have followed one after the other for the Mediawan music department, created on her arrival. “Call My Agent,” “Adolescence,” “F1,” “New School” – “All music topics can pass through my desk at some point.” She is not a musician or singer, her main asset is her ear. Her playlists vary from medieval trumpet to popular Italian music from the 1960s or 1970s, or even Gypsy influences to prepare “Quasimodo” on Netflix.

[Context: The article is about Sasha White, a music supervisor and director at Mediawan, discussing her career and experiences in the music industry.] [Fact Check: The text mentions some TV shows and references to Sasha White’s music preferences.]

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Patrick Donovan
I’m Patrick Donovan, a policy writer and communications professional with a degree in Political Science from Louisiana State University. I began my career in 2012 as a staff researcher at The Heritage Foundation, focusing on economic and regulatory policy. Later, I worked in public affairs consulting and contributed commentary to The Advocate. My work focuses on explaining policy decisions and their real-world impact