Midis de Culture, by Marie Labory
Monday to Friday from 12 p.m. to 1:30 p.m.
The meeting – 1 p.m.
Friday May 22: Literature
With Gabriel Tallent, novelist for The way (trad. Laura Derajinski, Gallmeister)
The Book Club, by Marie Richeux
Monday to Friday from 3 p.m. to 4 p.m.
Monday May 18: The bittersweet images of Marion Fayolle
With Marion Fayolle for Small fruit(Gallimard) and Magnets (le Tripode) Â
Tuesday May 19: Memories, revolts, crossbreeding. Two poets disrupt their national narrative
With Lisette Lombé for And our poems will remain riotous (with Katelijne de Vuyst, Christina Brunnenkamp et Isabel Hessel, Maelstöm) et Watson Charles pour Constellations of the Ruins (Æthalidès).Â
Wednesday May 20: Loving your mother, escaping from her, with Claire Richard
With Claire Richard for Pardonner à nos meres (The stunning ones)
Thursday May 21: Correspondence drawn between Beirut and Paris, with Michèle Standjofski and Charles Berberian Â
With Charles Berbérian and Michèle Standjofski for And you, how are you? (Casterman), echoing the Lebanon programming of the Etonnants Voyageurs Festival
Friday May 22: In Céline Sciamma’s library
À Voix Nue, by Caroline Broué
Monday to Friday from 7:30 p.m. to 8 p.m.
Rachid Benzine, the man of dialogue
With the writer, researcher and teacher Rachid Benzine
The Fiction Series (rebroadcast)
Monday to Friday from 8 p.m. to 8:30 p.m.
Marilyn, dernières séances by Michel Schneider
Réalisation : Juliette Heymann
With in particular: Clothilde Morgiève (Marilyn Monroe), Georges Claisse (Ralph Greenson), Mohammed Rouabhi (The narrator), Johanna Nizard (The narrator)
She had given him the mission of helping him get up, of helping him to act in the cinema, of helping him to love, of helping him not to die. He had given himself the mission of surrounding her with love, family, meaning, like a child in distress. He wanted to be like her skin, but for having been the last person to have seen her alive and the first to have found her dead, he was accused of having had her skin. This is the story. Two people who should not have met and who could not leave each other. Black words and white memories. In the softened light of Ralph Greenson’s office, Marilyn Monroe’s last session is repeated.
The Instant Poetry by Barbara Pravi
Monday to Friday from 8:30 p.m. to 8:35 p.m.
A collection proposed by Camille Renard
Réalisation : Margot Page
Author, composer and performer, Barbara Pravi lends herself to the game of carte blanche by sharing 20 texts that inspire her or nourish her creation, from classical poetry to the great texts of French song and pop, where the voices of yesterday and today respond to each other.
Monday May 18: The wave, by Barbara PraviÂ
Tuesday May 19: Boutique de mon corps by Grisélidis RéalÂ
Wednesday May 20: My daughter, by Serge ReggianiÂ
Thursday, May 21: Farewell, by Vita Sackeville West
Friday, May 22: Prayer, by Yehudi Menuhin
Evening readings (rebroadcast)
Monday to Friday from 8:35 p.m. to 9 p.m.
Candide or optimism by Voltaire
Director: Georges Peyrou
Candide or Optimism is a major work of the Age of Enlightenment, which enjoyed great success upon its publication in 1759. In the form of a tale, Voltaire recounts the misadventures of Candide, a naive and resolutely optimistic young man, who after having been chased from his castle, undertakes an (initiatory) journey punctuated by misfortunes: war, natural disasters, poverty…
Opposed to Leibniz’s theory, according to which our world would be “the best of all possible worlds” since it was God who created it, Voltaire thinks that man can improve his condition through action and proposes a more pragmatic philosophy of happiness which is summed up in the now famous formula: “We must cultivate our garden » which ends the story.
Replicas, by Alain Finkielkraut
Saturday from 9:05 a.m. to 10 a.m.
The right and the left
With Régis Debray, philosopher, writer, academic and former political advisor and Sylvain Tesson, writer and traveler, on the occasion of the publication of their correspondence The climber and the grunt (Gallimard / Équateurs, 2026).
Theater and Co.
Sunday from 8 p.m. to 10 p.m.
War does not have a woman’s face
Réalisation : Baptiste Guiton
With in particular: Julie AndreÌ (Valentina, Sergeant, leader of a DCA piece), Astrid Bayiha (Olga, Stretcher bearer of a rifle company), EÌ velyne Didi (Antonina, Intelligence agent of a partisan brigade)
Coming from the four corners of the USSR, former comrades from the front gather in the privacy of a community apartment, in the middle of the numerous sinks, hot water tanks, gas stoves and drying laundry. In that spring of 1975, a young journalist came to collect their testimonies on tape recorder. HAS
READ – Favorite monument of the French: library, estate and castle of authors in the running
We then enter, for a day and a night, into an unknown world… an isolated continent where women gifted with their own memory live within it. Hell is not relatable, or even imaginable, so only they can be understood. Since the Nazi invasion in 1941, thousands of young girls signed up to defend their country.
By telling itself, History little by little “becomes humanized” and women debate it together, emancipating themselves from the official propaganda discourse. The piece seems to travel and go back in time.
By Dépêche
Contact : depeche@actualitte.com
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