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My favorites
“Father†, “L’Objet du délit†, “Colony†… What films to see (or not) this week? Every Wednesday, find our reviews of the latest theatrical releases.
Dominika Moravkova and Milan Ondrik giving “Father” by Tereza Nvotov. Danae Production/Moloko Film/Lava Films
Published on May 26, 2026 at 6:03 p.m
“Father†, by Tereza NvotováÂ: our favorite of the week
Genre: mostly wet. One summer day, Michal forgets her baby in her car. The Slovak director explores trauma and memory gaps in a gripping film. (Slovakia, 1h43. With Milan Ondrák, Dominika Morávková, Ana Geislerová.)
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“Father†, by Tereza NvotováÂ: a gripping masterful film on the “forgotten baby syndromeâ€
“The Object of the Crime†, by Agnès Jaoui
Genre : post #MeToo. An accusation of sexual assault undermines the harmony of a theater troupe in the middle of rehearsals for Marriage of Figaro. A sensitive and funny comedy despite its clumsiness. (France, 2h14. With Agnès Jaoui, Daniel Auteuil, Eye Haïdara.)
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“The Object of the Crimeâ€: Agnès Jaoui takes on the generational clash between “boomers†and “wokesâ€
“The Last Breath of a Yakuza†, by Baku Kinoshita
Genre : récit à énigmes. For Akutsu, the journey ends. In a cell for many years, the old yakuza remembers the chain of events that led him to where he is. With the only interlocutor being a potted plant gifted with speech. (Animated film. Japan, 1h30.)
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“The Last Breath of a Yakuza†, by Baku Kinoshita: a moving animated film that takes its time
“Cocotte†, by György Palfi
Genre : é-poule-pée. The tragicomic odyssey of a hen who escapes from a farm and discovers the ferocity of men. (Germany/Greece/Hungary, 1h37. With Maria Diakopanayotou, Argyris Pandazaras, Yannis Kokiasmenos.)
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“Cocotte†, de György Pálfi : l’odyssée tragicomique d’une poule en queête de liberté
“Colony†, by Yeon Sang-ho
Genre: greedy undead. In this delightful South Korean hit-and-run, zombies gorge themselves on fresh flesh, but also on data that makes them more effective. Panting. (South Korea, 2:03. With Jun Ji-hyun, Koo Kyo-hwan, Ji Chang-wook.)
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With “Colony†and its zombies, Sang-ho Yeon tackles the issues of our time
“À bras-le-corps†, by Marie-Elsa Sgualdo
Genre : à petit feu. Sexually assaulted, forced into silence by Protestant Switzerland in the 1940s, Emma burns in silence. And her interpreter, Lila Gueneau, shines. (Switzerland/France, 1h36. With Lila Gueneau, Aurélia Petit, Grégoire Colin.)
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“À bras-le-corps†Â: Marie-Elsa Sgualdo films the flamboyant inner anger of a woman
“Cuba & Alaska†by Yegor Troyanovsky
Genre: friendship on the front. Alongside two Ukrainian soldiers laughing loudly, Yegor Troyanovsky documents the fierceness of the fighting, the wounded, the dead… He also films the strength of camaraderie and hope. An intimate and powerful documentary. (Documentary. Ukraine/France/Belgium, 1h33.)
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“Cuba & Alaskaâ€: a documentary on the war in Ukraine where light shines from the horror
“Everything is going great†, by Patrick Cassir
Genre : mélo rigolo. When his mother falls ill, Élie meets the love of his life. Will he manage to reconcile these two upheavals? This comedy seduces thanks to its dark humor, eclipsing some tear-jerking scenes. (France, 1h31. With Hakim Jemili, Noémie Lvovsky, Marie Colomb.)
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“Everything is going great†, by Patrick Cassir: a comedy that is too melodious but saved by black humor
“Holy Destructors†, by Aistė Zegulytė
Genre : à méditer. Microfungi destroying works of art challenge humans who want to preserve beauty from the ravages of time. A Lithuanian documentary in the form of a nightmare, perhaps a little exaggerated but seductive. (Documentary. Lithuania, 1h25.)
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“Holy Destructors†Â: welcome to the beautiful and nightmarish world of microfungi
“Le Virtuose†, by Daniel Roher
Gender: sensitive ear. A young piano tuner with exceptional hearing uses his gift to crack safe combinations. A melancholic and elegant “auditory” thriller, which prefers delicate atmosphere to suspense. (United States, 1h49. With Leo Woodall, Dustin Hoffman, Havana Rose Liu.)
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“Le Virtuose” by Daniel Roher
“The Bridge†, by Walid Mattar
Genre : pieds nickelés. Around the Radès-La Goulette bridge, Walid Mattar signs a Scarface of proximity, with the intense staging, where the precarious people of Tunis tear each other apart. The portrait of a disoriented youth. (Tunisia/France, 1h29. With Sarra Hannachi, Seifeddine Omrane, Mohamed Amine Hamzaoui.)
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“Le Pont†Â: Walid Mattar signs the portrait of a disoriented Tunisian youth
“Eyes†, by Rachel Lang
Genre: spy on the sidelines. An agent from the DGSE action department, disobedient but a bit monotonous, fools and is fooled without us really trembling. An unequal spy film. (France/Belgium, 1h38. With Eye Haïdara, Joséphine Japy, Raphaël Personnaz.)
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Rachel Lang’s “Kill†, an unparalleled spy thriller
Still in theaters
What to see at the cinema this week? Our critical selection for Wednesday May 20
Also read:
When to see the Palme d’Or and all the award-winning films (or not) at Cannes
Cinema Newsletter
Every Wednesday at 10 a.m., recommendations for the latest releases and the essential cinema news.
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