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My favorites
“Autofiction†, “The Loved One†, “All You Need Is Kill†… What films to see (or not) this week? Every Wednesday, find our reviews of the latest theatrical releases.
Victoria Luengo in “L’Être aimé”, by Rodrigo Sorogoyen. Photo Manolo Pavon/Caballo Films/Le Pacte
Published on May 19, 2026 at 9:05 p.m
“L’Être aimé†, by Rodrigo Sorogoyen : notre coup de cÅ“ur
Genre: island thriller. The electric reunion, on a film set, between a failing father, director, and his actress daughter. A virtuoso build-up of tension, worthy of the best thrillers. With an imperial Javier Bardem. (The loved one. France / Spain, 2h15. With Javier Bardem, Victoria Luengo, Melina Matthews, Marina Foïs.)
Read the review
“The Loved One†by Rodrigo Sorogoyen with Javier Bardem, an intense island thriller about cinema
“Autofiction†, by Pedro AlmodÃ3var
Genre: Pedro by Almodóvar, or vice versa. A director in need of inspiration vampirizes the lives of those around him to nourish that of his next heroine, his own alter ego. Stunning mise en abyme or self-parody? (Bitter Christmas. Spain, 1h51. Avec Bárbara Lennie, Leonardo Sbaraglia, Aitana Sánchez Gijón, Victoria Luengo.)
Read the review
“All You Need Is Killâ€, de Kenichiro Akimoto
Genre : A day without end nippon. Rita’s life is like a broken record. Every day she faces alien monsters and, no matter what she does, she always ends up dying… until the next day when the nightmare begins again. A Japanese animated film in the vein ofA day without end. (Japon, 1h26.)
Read the review
“All You Need Is Kill†, de Kenichiro Akimoto : un film d’animation japonais hybride, au rythme effréné
“Vanilla†, by Mayra Hermosillo
Genre : pas touche à la casa. Seven Mexican women of all ages cling to a house from which they want to be evicted. A slightly broken script but attractive portraits of atypical and free women, unrealistic dreamers and proud of it. (Vainilla. Mexico, 1:39. With Aurora Dávila, Fernanda Baca, Rosy Rojas.)
Read the review
“Vanilla”, by Mayra Hermosillo: a charming portrait of free femmes
“Les Goûteuses d’Hitler†, by Silvio Soldini
Genre : repas avariés. In the forest lair of the invisible Hitler, Rosa tastes dishes that could have been poisoned and allows herself to be seduced by an already married Nazi. The romance holds but the historical interest is weak. (The tasters. Italy, 2h03. With Elisa Schlott, Max Riemelt, Alma Hasun.)
Read the review
“Hitler’s Taste Girls†, by Silvio Soldini: a film that lacks salt and misses its subject
“The Mandalorian and Grogu†, by Jon Favreau
Genre: “galactic fan service†. The film, derived from the successful series, relies on the same narrative springs but runs empty, forgetting in the process the saga Star Wars, of which he is the last offspring. (United States, 2h12. With Pedro Pascal and Jeremy Allen White.)
Read the review
“The Mandalorian and Grogu† : of “fan service†without soul supplement
“Télérama†hasn’t seen yet
“Maximilien Kolbe†, by Anthony D’Ambrosio
“Passenger†, by André à ̃vredal
Still in theaters
What to see at the cinema this week? Our critical selection for Wednesday May 13
Cannes Film Festival
Reviews of films in competition, meetings with filmmakers and actors, little and big news from the Croisette… Télérama brings you to life the 79e edition of the festival, from May 12 to 23.
- Cinema
- Sorties ciné
The magazine in digital format
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