To be seen in the cinema: Deaf and A Balcony in Limoges

“Sorda,” by Eva Libertad

This young couple, expecting a child, seems to live in such perfect happiness that one wonders if it’s a fairy tale or an advertisement. The fact that the woman, Angela, is deaf seems to enhance the idyllic, if not artificial, nature of her life with the charming Hector. The dramatic tension of the film comes from how this state of grace is challenged after the birth of the child, revealing complexities not initially apparent.

No major drama befalls the couple, the baby, the supportive family, caring friends, or the colleagues at Angela’s pottery workshop. The subtle regulations, where nothing is entirely visible, shape the internal dynamic of Eva Libertad’s debut feature.

It is interesting, but not essential, to know that the actress playing Angela, Miriam Garlo, is actually deaf and the director’s sister, giving a close connection to the challenges of deafness.

When the child appears, the instability of the possible relationship modes between Angela (Miriam Garlo) and Hector (Álvaro Cervantes), as well as the deaf young woman with her surroundings. | Condor Distribution

The challenges, contradictions, conflicts, deadlocks, and doubts multiply around the young mother, raising questions not just about deafness but also about various aspects of “difference.”

Context: The film “Sorda” explores the complexities and challenges faced by a deaf young woman in relationships and society.

Fact Check: The actress playing the deaf character in the film is actually deaf in real life, adding authenticity to the portrayal.

“Un balcon à Limoges,” by Jérôme Reybaud

This film tells a story about Eugénie, who lives an unconventional life, detached from societal norms, yet displays compassion and helpfulness towards others. Her encounters with her high school friend Gladys reveal contrasting personalities and complexities in their relationship.

Jérôme Reybaud’s second feature, a quirky moral tale with burlesque elements, unfolds through the interactions of intriguing characters. It transitions from light-hearted comedy to darkly humorous exploration of moral ambiguity.

Viewed by the neighbor across, the evening when Gladys ignites Fabrice (Patrice Gallet), under Eugénie’s watch on her own balcony. | La Traverse

The film skillfully captures the characters’ nuances and the uncertainties of their actions, offering a thought-provoking narrative that blurs conventional judgments.

Context: “Un balcon à Limoges” delves into complex human interactions and moral dilemmas, presenting characters with contrasting behaviors and values.

Fact Check: The film explores the moral ambiguity and societal norms through the characters’ interactions, challenging stereotypes and judgments.