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Hilma af Klint, or the spirit of abstraction

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Rachel Morrison
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Hilma af Klint, or the spirit of abstraction
Les Dix plus grands, n° 6 (Âge adulte), 1907, tempera sur papier contrecollé sur toile, 315 × 234 cm, HaK107 – By courtesy of the Hilma af Klint Foundation / photo The Moderna Museet, Stockholm

  • The Ten Greatest, No. 3 (Youth), 1907, tempera on paper laminated on canvas, 321 — 240 cm, HaK104
    Les Dix plus grands, n° 3 (Jeunesse), 1907, tempera sur papier contrecollé sur toile, 321 × 240 cm, HaK104 – By courtesy of the Hilma af Klint Foundation / photo The Moderna Museet, Stockholm

    The Ten Greatest, No. 1 (Childhood), 1907, tempera on paper laminated on canvas, 322 to—239 cm, HaK102
    Les Dix plus grands, n° 1 (Enfance), 1907, tempera sur papier contrecollé sur toile, 322 × 239 cm, HaK102 – By courtesy of the Hilma af Klint Foundation / photo The Moderna Museet, Stockholm

    L'intervention d’Elvan Zabunyan, sociétaire de l’émission

    Altarpiece, No. 1, 1915, oil and gold leaf on canvas, 237.5 × 179.5 cm, HРK187
    Retable, n° 1, 1915, huile et feuille d'or sur toile, 237,5 × 179,5 cm, HÐK187 – By courtesy of the Hilma af Klint Foundation / photo The Moderna Museet, Stockholm

    Swan, No. 1, 1914-1915, oil on canvas, 150 × 150 cm, HaK149
    Cygne, n° 1, 1914-1915, huile sur toile, 150 × 150 cm, HaK149 – By courtesy of the Hilma af Klint Foundation / photo The Moderna Museet, Stockholm

    Les références de l’émission

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